Thomas Conchou is a curator and the artistic director of the Centre d’art contemporain de La Ferme du Buisson, located in the Greater Paris area. Actively involved in numerous initiatives supporting socially engaged art, he develops an interdependent and collaborative curatorial practice, notably through the Société des Nouveaux Commanditaires, where he serves as a mediator and producer for citizen-led artistic commissions. He is also engaged in action-research on the emancipatory potential of queer artistic practices and edits The Master’s Clock, an editorial platform dedicated to the politics of time.

Natálie Kubíková is a curator, researcher and cultural producer based in Prague. She currently serves as an associate curator and International Program Director at Kold Contemporary Gallery and a seminar lecturer at the Academy of Fine Arts in Prague, leading the guest lecture program. Kubíková is the founder and former director of Garage Gallery (2018–2025), an independent gallery and residency platform through which she realized an extensive program of exhibitions, publications and research-based projects supporting emerging artists and cross-disciplinary dialogue. Her recent curatorial projects include The Society of Dangerous Evidence: Dykes on Bikes 2.0 (Fotograf Gallery, Prague, 2025); Estranged Tools and The Distance of Two Seconds (Garage Gallery, Prague, 2025); and Warm Inflation: Queer Lesbian Contemporary (GAMU, Prague, 2023). She has also curated and developed projects at MOLT Berlin, SpazioSERRA in Milan and Pickle Bar Berlin, including the lecture-performance Weirdos Attract Weirdos: Lesbian Slurring! presented at Relais Culture Europe in Paris. She holds an MgA. from the Academy of Fine Arts in Prague and pursued further studies at Cooper Union School of Art and at the School for Curatorial Studies Venice, where she focused on contemporary curatorial theory and exhibition-making practices.

Daria Tuminas is an independent curator and a co-founder of the Growing Pains—an Amsterdam based foundation working on the crossroads of visual arts, publishing, conversation, education and human connection. Since September 2025, she is the program leader of Curatorial Practices in Photography at the International Center of Photography in New York. From January to May 2026, Tuminas is working for Stroom den Haag as a curator for visual arts. Since 2019, she has been curating regularly for FOTODOK, Utrecht, as well as developing exhibitions at the likes of Foam Museum Amsterdam, Les Rencontres d’Arles, BredaPhoto Festival, WORM etc. She regularly writes for multiple media, having contributed to: Foam Magazine; Trigger (FOMU); YET; The Photobook Review (Aperture); doc! photography magazine; Unseen Platform; Unseen Magazine; LensCulture; Belgian Platform for Photobooks; Archivo Platform; EXTRA; and more. Between 2017 and 2019, Tuminas headed Unseen Book Market at Unseen Amsterdam, and has contributed to multiple photobook-related reflections as a writer, an editor or a curator. She co-curated the symposium The Moving Page for Amsterdam’s Stedelijk Museum, contributed a chapter to How We See: Photobooks by Women (10×10 Photobooks, 2018), guest-edited The PhotoBook Review #12 (Aperture, 2017), and has curated a number of exhibitions in connection to printed matter.