Nadine Isabelle Henrich (*1990) is a curator and art historian specializing in photography and time-based media and is the Curator of the House of Photography at Deichtorhallen in Hamburg, Germany. Prior Henrich was a Curatorial Fellow at the Getty Research Institute in Los Angeles (2022-2023) and worked in the curatorial teams of Fotomuseum Winterthur, Museum Folkwang, and Münchner Stadtmuseum (2021-2023), within the framework of the international program Museum Curators of Photography. Her recent shows include, among others, Poetics of Search at Fotomuseum Winterthur (2022/2023), Visions of Ukraine at Museum Folkwang, Essen (2022), and Rüzgâr Buşki: Wayward at Galerie Wedding, Berlin (2022). Based in Berlin, she has worked as a Curator and Doctoral Researcher at Daimler Contemporary Berlin (2017–2020), where she curated, among others, the group show Evoking Reality (2018/19), featuring artists such as Mustafah Abdulaziz, Clément Cogitore, Tacita Dean, Alia Farid, Cao Fei, Pieter Hugo, Richard Mosse, Viviane Sassen, Berni Searle, Guy Tillim, Sharif Waked, Maya Zack. Prior to that, Henrich worked as a Research Associate at Heiner Bastian Fine Arts, Berlin/London (2015/16), and early on assisted the team of the German Pavilion at the 55th La Biennale di Venezia, curated by Susanne Gaensheimer (2013). After studies and grants in Florence, Rome, and Frankfurt, Henrich completed her Master’s in Art and Image History at Humboldt University Berlin (2016) and is currently finalizing her Ph.D. research at the Department of Art History at Freie Universität Berlin, supervised by Prof. Peter Geimer.

Danaé Panchaud is a Swiss curator, museologist and lecturer specialising in photography. She currently serves as director of Centre de la photographie Genève, one of the leading Swiss photography institutions, after four years at the head of Photoforum Pasquart (2018-2021). She previously held positions in several capacities in Swiss museums in the fields of contemporary art, design and science. She was a lecturer at the Vevey School of Photography from 2014 to 2018, and is a guest lecturer in several Swiss art schools and universities.

Ana Škegro (Zagreb, 1987) is a senior curator and head of the Experimental Research Department at the Museum of Contemporary Art, Zagreb. Since 2013, she has been working as an external collaborator at the Museum of Contemporary Art Zagreb (MSU) on various projects as a curator, producer, and program coordinator. In late 2014 and early 2015, she was an executive producer of the exhibition "The Eighties: Sweet Decadence of Postmodernism" held at the Croatian Association of Artists (HDLU) in Zagreb. During 2015 and 2016, she worked as a specialist collaborator on the processing and digitization of a private art collection. At the same time, she participated in the EU project "Translocal: Museum as Toolbox" as a coordinator and educator, establishing the MSU Youth Club as part of it, which she continued to lead through various projects and activities. From 2017 to 2024, she was, among other things, the author of the annual program "Artistic Actions and Performances – Summer at MSU" (2017-2022), curator of exhibitions "Quest for a New Reality," "Forest To Go," "Attention, Landscape!", co-curator of the retrospective "Sean Scully: Passenger," executive producer and coordinator of exhibitions "Arno Rafael Minkkinen: Shore of the Sky" and "HT Award for Croatian Contemporary Art," collaborator on international EU projects "VIBE – Voyage Inside a Blind Experience" (2017-2019), "Museum of the Commons" (2023-2027), co-author of the "FB for your thoughts / FB thought of the day" project, and the leader of the EU project "Beam Up – Blind Engagement in Accessible Museum Projects" (2020-2023).