She holds a PhD in artistic research, a degree in Law, Economics and a Master in Cultural Management. Her work is based on the intersections between art, technoscience and feminisms. She has worked with a number of leading institutions, among them Medialab Prado, Fundación Daniel y Nina Carasso, CCCB, Jeu de Paume, La Gaité Lyrique or GenderArtNet. Some of the exhibitions she has curated are “A propósito del Chthuluceno y sus especies compañeras” (Espace virtuel du Jeu de Paume), “Ciencia fricción. Vida entre especies compañeras” (CCCB adn Azkuna Zentroa), “Extinción Remota Detectada” (LABoral) or “Máquinas de ingenio” (Tabakalera). She is advisor to the Chaire Arts & Sciences (École polytechnique, l’École des Arts Décoratifs – PSL, Fondation Daniel et Nina Carasso) and editorial coordination of .able journal.

María Wills is a curator and art historian. Her main projects are related to the instability of the contemporary image and the revision of official historical narratives in art. She was director of the Arts and Other Collections Unit of Museos Banco de la República (Bogotá) between 2019 and 2023, and in 2019 she was curator of the MOMENTA Image Biennial (Canada). In the same year, she won the Simón Bolívar Journalism Prize for her essay “El centenario de la Bauhaus: de conveniencias y conexiones”. Her curatorial projects have been exhibited in institutions such as the ICP New York, the Fondation Cartier and the Jeu de Paume in Paris, The Photographers Gallery in London, the Círculo de Bellas Artes in Madrid, the Centro de la Imagen in Mexico City, the Museo de Arte Moderno in Bogotá or the Museo de Arte Moderno in Medellín, among others. She is the author of the book “Los cuatro evangelistas” on the origins of curatorship in Colombia.

Carla Bacelar Ferreira has a degree in Photography from the School of Technology of the Polytechnic Institute of Tomar and a master's degree in Curatorial Studies from the College of Arts of the University of Coimbra, Portugal. She complemented her training in the area of photography and cultural production with programmes and projects parallel to her collaboration with the Encontros da Imagem – International Photography and Visual Arts Festival in Braga, where she started working in 2015 producing and supporting exhibitions. She later formally joined the Festival's management team as well as the association that organises it. In 2021, she joined the Board of Directors of the Association and the Festival as Vice President.

Verónica Fieiras is a visual artist, editor, cultural manager, collaborator in creative projects, and also a member of the Migra Feria de Arte Impreso collective. In 2013, she founded RIOT Books, a publishing house through which she released her book “The Disappeared", which was nominated for Best Photobook of the Year at the 2014 Kassel Festival. In 2015, she edited and designed “You Haven’t Seen Their Faces” by Daniel Mayrit, which won the Aperture-Paris Photo Award for Best Photobook of the Year. In 2016, Verónica founded the independent publishing house Chaco, which focuses on Latin American artists and has published 11 books to date. Several of the books she has edited and designed have been exhibited at the CCCB, the National Library of Spain, the Daegu Photo Biennale, The Museum of Fine Arts in Houston and the MOMA, among others, and are part of public and private collections, including the MOMA and the Centro de la Imagen in Mexico.