Daniel Arnold's work is deeply human, with a sense of intrigue and humor that breathes fresh air into an age of extreme curation and perfectionism. With a dynamic and versatile voice, he has covered everything from home births to high fashion, from the Met Gala to the 2016 campaign trail and multiple inaugurations. Arnold began his career documenting the streets of New York City with an innate curiosity and a wry smile that quickly gained him a cult following and frequent collaborations with the New York Times and Vogue. In 2022, he was profiled by the New Yorker in conjunction with the release of "Pickpocket," an unconventional monograph compiled by the Safdie Brothers' Elara Press. Per that New Yorker profile, “Walking the streets, in his hoodie and dark mustache, with a camera or two around his neck, [Arnold] himself has become one of the city’s characters, a recognizable N.Y.C. figure.” His odd, enduring photos can be found in art galleries around the world - he can usually be found out wandering.

Barbara Bosworth is a photographer whose large-format images explore both overt and subtle relationships between humans and the natural world.

Whether chronicling the efforts of hunters or bird banders or evoking the seasonal changes that transform mountains and meadows, Bosworth’s caring attention to the world around her results in images that inspire viewers to look closely.

Over her long career, Bosworth has photographed with a large-format 8x10 camera. Her single images display a generous attention to small facts, while her large-scale triptychs reveal a panoramic awareness, one that lets viewers glimpse relationships between frames across a wide field. All of Bosworth’s projects remind viewers not only that we shape nature but that it also shapes us.

Bosworth’s work has been widely exhibited, notably in solo exhibitions at the Museum of Fine Arts Boston (2024), Cleveland Museum of Art (2024), Denver Art Museum (2015), Peabody Essex Museum (2012), and Smithsonian American Art Museum (2008).

Bosworth’s monographs include The Meadow (2015), The Heavens (2018), and The Sea (2021) published by Radius Books. She has also published with Dust Collective, TIS Books, Datz Press, and MIT Press, among others.

Bosworth is the recipient of a 1995 Guggenheim Fellowship and the 2024 Lifetime Achievement Award from The Cleveland Arts Prize. 

Bosworth grew up in Novelty, Ohio, and lives in Massachusetts, where she is Professor Emeritus of Photography at Massachusetts College of Art and Design.

Paul D'Amato was born in Boston where he attended Boston Latin School at the height of racial unrest and civil rights. He moved west to attend Reed College and claims to have learned as much from traveling cross-country - often by hitch-hiking and freight trains - as he did in class. After receiving an MFA from Yale he moved to Chicago where he discovered the community of Pilsen. The pictures and writing D'Amato produced there were made into the book, “Barrio" published by the University of Chicago Press.  His book of images made in the African American community on the west side of Chicago, entitled "Here/Still/Now" published by Kehrer Verlag, was awarded the Lucie Foundation Book Prize in 2018. “Rave” published by Skylark Editions in 2019, is about work made in the underground techno scene in the early 90’s. He is now finishing work for two books: “Midway” and “The Train Riders”.

Paul D’Amato has been awarded numerous grants and fellowships including a Guggenheim Fellowship, a Pollock-Krasner Fellowship, a Rockefeller Foundation Grant to Bellagio, Italy, and numerous Illinois Arts Council fellowships. His work is in the collections of the Museum of Modern Art, The Metropolitan Museum of Art, the High Museum and The Art Institute of Chicago among many others.

Rena Effendiâ's early work focused on oil industry's effects on people's lives.

As a result, she followed a 1,700 km oil pipeline through Azerbaijan, Georgia, and Turkey, collecting stories along the way. This work was published in 2009 in her first book: "Pipe Dreams A chronicle of lives along the pipeline".

In 2013, Rena Effendi published her second monograph Liquid Land where her images are paired with photographs of perished butterflies hunted by her father, a Soviet entomologist, who collected more than 30,000 butterflies in Soviet Union. Liquid Land punctuates the theme of fragility and environmental decay of Baku, the city where Effendi was born and grew up.

Effendi has received many international awards including the Alexia 2018 Professional Grant, the Prince Claus Fund Award for Culture and Development, World Press Photo (for observed portraits in 2014), SONY World Photography Award (fine art category), Getty Images Editorial Grant and was short-listed for the Prix Pictet Award in Photography and Sustainability.

Rena Effendi is represented by National Geographic Creative agency and ILEX Gallery. Rena Effendi's work has been exhibited in museums and galleries worldwide including at the Saatchi Gallery, Miami Art Basel, Istanbul Modern, and the 52nd Venice Biennial. She has worked on editorial assignments for the National Geographic, The New Yorker, Newsweek, TIME, The New York Times magazine, Vogue, Marie Claire, The Sunday Times, GEO and others.

Born in Karlstad in 1969, JH Engström is a Swedish photographer and video artist. He lives and works between Paris and Smedsby (Värmland, Sweden).

Engström’s practice is based on the bypass of all rules and advocates great freedom of style. Feeling at ease with the instantaneous as much as with the staged frame, a virtuoso of the black and white and of color, he masters the accident and toys with techniques to question photography itself.  In the years 2000-2010, his forms of representations evolved to combine various means including installation, video, books and writing as a way to abolish hierarchies between the images and introduce an ethereal lyricism into his work.

An intuitive approach that conceals a very personal reading of the world in which the autobiographical exploration is central. JH Engström demonstrates that all things carry vital energy within, that solitude and empathy, feelings of safety or on the contrary, vulnerability, are experienced every day. Hence, each portrait or self-portrait, still life or landscape, holds a sum of recollections and constitutes an intimate, visual and poetic journal that addresses each and every one. In 2012, JH Engström and Margot Wallard established Atelier Smedsby, a one-year workshop with three week-end sessions allowing participants to exchange with the two artists about their photographic work.

JH Engstrom has has authored many publications, including Shelter (1997); Trying to Dance (Journal, 2003); Haunts (Steidl, 2005); CDG/JHE (Steidl, 2008); Foreign Affair (Super Labo, 2011); La Résidence (Journal, 2009); From Back Home (Max Ström, 2009); Sketch of Paris (Aperture, 2013); Långt Från Stockholm (Aron Mörel, 2013), Ende und Anfang, Early Trips (André Frère Éditions, 2013); Tout va bien (Aperture, 2015); Revoir (Akio Nagasawa Publishing / Journal, 2017); Crash (Akio Nagasawa Publishing, 2018); He is the recipient of international prizes and grants including the Leica Oskar Barnack Prize (Tout Va Bien, 2015); the Golden Letter (La Résidence, 2012); the Rencontre d’Arles photobook prize (From Back Home, with Anders Petersen, 2009); he was shortlisted for the Deutsche Börse Photographic Prize (Trying to Dance, 2005) and received a grant from the Andrea Frank Foundation (1998). He is the winner of the Photographic Book of the year in Sweden (with Shelter, 1998).

Hannah Modigh was born in Stockholm in 1980 and spent her childhood in India and Österlen, Sweden. She studied photography in Copenhagen, Biskops Arnö and the Royal College of Art in Stockholm. Her work have won multiple awards, including the TT's Great Photography Prize and the Lars Tunbjörk Prize. 

Modigh's photography is characterised by a sense of fine detail, intimate portraits. She has created six poetic photo books; Hillbilly Heroin, Honey 2010, a dying coal mining town in Appalachia, Sunday mornin comin down 2012, young men working in the sex industry in San Francisco, Hurricane season a search for storms, behind doors, inside people, taken in Louisiana. Portraits of Swedish youth in search of identity in The Milky Way. Delta it's about time, a search for traces that depict the presence of an absence, where life and death vibrate under a fragile border with the outside world. The most recent work is Archive of longing, a series of portraits from a shelter Hannah worked for many years. 

Modigh's work have been exhibited throughout Europe and the USA. Her work is represented at Moderna Museet in Sweden, which is one of Europe’s leading museums for modern and contemporary art.

Paul Graham (b. 1956 Stafford) is a photographer living and working in New York City, who has created a significant body of work over the last four decades. His photography has been extensively exhibited, including the 49th Venice Biennale and The Museum of Modern Art, New York, and has received numerous awards and prizes including the prestigious Hasselblad Award (2012) and The Deutsche Börse Photography Prize (2009).

At the beginning of the 1980s, Graham was among the first photographers to unite contemporary colour with documentary practice. Inquisitive and genre traversing, Graham’s work might best be regarded as four trilogies, each spanning 6 to 12 years to complete: United Kingdom 1981-1987, Europe and Japan 1988-1998, United States 1999-2011,– and more recently Graham’s work has shifted towards focusing on his family, our inevitable mortality and the transience of life: Family and Mortality 2011-2023.

His work is held in international collections including Arts Council of Great Britain, London; British Council, London; CCA/ Seagrams Corporation, New York; Det Kongelige Bibliotek, Copenhagen; European Parliament, Brussels; Fotomuseum Winterthur; Kunstmuseum Wolfsburg; Metropolitan Museum of Art, New York; Musée de la Photographie, Charleroi; Musei Comunali, Rimini; MoMA, Museum of Modern Art, New York; National Museum of Photography, Bradford; Tate Gallery, London; Victoria and Albert Museum, London and the Winnipeg Art Museum.

Emma Hardy was born in London and studied Drama and French at Bristol University. She moved to Paris for four years working in the art world before returning to London to pursue a career in acting, but found herself better suited to life behind the camera. By this time, she was married, living in rural Suffolk, and raising her family of three young children. She has photographed for British Vogue, The Telegraph magazine, Vanity Fair, The Fader, The New York Times, and Rolling Stone amongst others. Her first solo exhibition 'Exceptional Youth' was displayed at the National Portrait Gallery, London in 2006 and 39 of her portraits are included in the gallery’s collection. Hardy continues her work as a portrait and documentary photographer for a wide range of publications, returning to new phases of her family images whenever she can.

Ben Brody is an independent photographer, educator, and picture editor working on long-form projects related to the American wars in Iraq and Afghanistan, and their aftermath. He is the Director of Photography for Report for America, and a co-founder of Mass Books.

His first book, Attention Servicemember, was shortlisted for the 2019 Aperture - Paris Photo First Book Award and is now in its second edition.

Ben holds an MFA from Hartford Art School's International Low-Residency Photography program. He resides in western Massachusetts.

In 2013, twin brothers Gianluca and Gianmarco Gamberini founded L’Artiere Edizioni, a publishing house specializing in photography books aimed at expert photographers, collectors, fans, and novices. L’Artiere Edizioni strongly believes in the concept of quality and attention to every detail of the finished product, devoted to creating volumes that are aesthetically pleasing and made to last. Passion, dedication, technical know-how, and craftsmanship are the cornerstones of L’Artiere, with quality serving as their inspiring watchword.

Pia Paulina Guilmoth lives and makes art in rural Maine. She works with a 4x5 camera and various experimental analogue techniques in her practice. Her work is foremost about beauty, and her experience as a trans woman in the small town she lives in. Her work is held in the permanent collection at SFMOMA. Pia released her third book in November 2024 with Stanley/Barker titled Flowers Drink the River which received the Jury’s Special Mention for the 2025 Paris-Aperture Book of the Year award. In 2024 / 2025 she had two major solo exhibitions open in London, and New York City with CLAMP Gallery, and Webber Gallery. In 2024 she won a Google/Aperture Creator Labs grant, and a Peter Reed Foundation grant in photography, and In 2022 she was a MacDowell Fellow in Visual. Pia’s fourth book, a collaborative project with Jesse Bull Saffire titled Fishworm, was published with Void at the end of 2025. In the spring of 2026 Pia will present at the next Forum on Contemporary Photography at the Museum of Modern Art, in NYC. Pia’s out-of-print monograph from 2021, At Night Gardens Grow, is being re-issued in the summer of 2026 with Stanley/Barker books. Pia is represented by CLAMP Gallery in NYC.

Todd Hido (born in Kent, Ohio, 1968) wanders endlessly, taking lengthy road trips in search of imagery that connects with his own memories. Through his unique landscape process and signature color palette, Hido alludes to the quiet and mysterious side of suburban America—where uniform communities provide for a stable façade—implying the instability that often lies behind the walls. 

His photographs are in over 50 private and public collections around the world, including the Getty, Whitney Museum of American Art, and San Francisco Museum of Modern Art. Pier 24 Photography holds the archive of all of his published works. 

Hido has published more than a dozen books, including the award-winning monographs House Hunting(2001) and Excerpts from Silver Meadows (2013). His Aperture titles include Todd Hido on Landscapes, Interiors, and the Nude (2014) and Intimate Distance: Twenty-Five Years of Photographs (2016). A revised and expanded edition is coming in 3 languages in 2025.

He returned to the cinematic landscape photography that he first explored with Roaming (2003), as well as in Bright Black World (2018), and followed it up with The End Sends Advance Warning (2024). Hido is also an avid photobook collector, and in the last 30 years has created a notable collection of over 8,500 titles.

His work has influenced multiple Hollywood productions, such as Spike Jones's Her, Sam Levinson's Euphoria, Issa López's True Detective: Night Country, and the upcoming directorial project by Jason Momoa, Chief of War. He is also one of the subjects of Momoa's documentary project on creative makers, On The Roam.

The Hulett Collection is a fine art gallery specializing in classic 20th century and contemporary photographic works. Native to Tulsa, Oklahoma, Michael Hulett started in the fine arts world more than 15 years ago in Los Angeles and spent the majority of his career  as the Director of the world-renowned Peter Fetterman Gallery in Santa Monica. He has curated more than 100 exhibitions across Chicago, London, Los Angeles, New York, Paris and San Francisco. Michael brings his more than 20 years of knowledge of the medium's history and its foremost photographers to The Hulett Collection.

Shana Lopes, PhD, is an Assistant Curator of Photography, San Francisco Museum of Modern Art. Over the past fifteen years, she has gained curatorial experience at the Center for Creative Photography in Tucson, Arizona, and the Metropolitan Museum of Art in New York. She has organized exhibitions on cyanotypes, Eikoh Hosoe, Atget, Helen Levitt, and Wright Morris. Recently, she has curated or co-curated exhibitions, including Constellations: Photographs in Dialogue, Sightlines: Photographs from the Collection, and A Living for Us All: Artists and the WPA. Her work has been published in the periodical History of Photography and is forthcoming in Art Journal.

Jim Mangan is an American photographer primarily known for his unorthodox landscapes of the American West. Mangan takes an ecological and sociological approach to his work, observing his subjects and their interactions with their environment. His work seeks to forge a sense of connectivity with the earth and of disparate communities. For nearly a quarter century he lived in Colorado and Utah where he began his career in photography.

In 2026 the Nora Eccles Harrison Museum of Art (Solo Exhibition), Utah and the Sun Valley Museum of Art (Two-Person Exhibition with Lucy Raven), Idaho will host exhibitions with Jim Mangan’s critically acclaimed body of work, The Crick, published by Twin Palms Publishers. Vince Aletti referred to The Crick as an “instant classic” in his review of the book in Photograph Magazine in June of 2024. The New York Times published a photo essay with this series titled, Young Men of The Crick in September of 2023. There have been numerous exhibitions over the past two years with this body of work at galleries including Sea View (Los Angeles), Nonaka-Hill (Kyoto) and Galerie Wouter van Leeuwen (Amsterdam). In 2025 the Belfast Photo Festival in Ireland chose Mangan as one of their “Exhibition Winners.” He was a 2023 Light Work Artist - in - Residence and was invited by Dries Van Noten, to have a solo exhibition with with his critically acclaimed work, BLAST, at Van Noten's gallery, The Little House, in Los Angeles that same year. His work is in the public collections of Light Work, SVMOA, NEHMA, MoMA Catalogue in NY, NY, LACMA Library, Art Institute Chicago Library, SFMOMA Library, MCA Chicago Artist Book Collection, Yale University Library, Harvard University Library, and the National Gallery of Art Library. His work has been exhibited at institutions including Deichtorhallen in Hamburg, Kunst im Tunnel in Düsseldorf, and Utah Museum of Contemporary Art.

Christopher McCall is a museum director and curator specializing in photography. He is the founding director of Pier 24 Photography, one of the largest spaces in the world devoted to photography. McCall received his MFA in Photography from the California College of the Arts (CCA) in 2003. At CCA, he studied alongside Larry Sultan and Jim Goldberg, both of whom he considers significant influences. Sultan recommended that Andrew Pilara, Pier 24 Photography's founder, speak with McCall as he was conceptualizing the organization and space. Prior to his work at Pier 24, McCall taught photography, film, and visual literacy at The Urban School of San Francisco.

Born in 1994, I grew up in Knoxville, TN, where I live now with my partner Hannah. We often go North to see her family and friends in Michigan, where she grew up. We travel elsewhere when possible. These days, life is a smaller circle. We visit the same places often, which provides a reprieve from our immediate obligations of survival inside the routine of the days we are carried through. In search of small freedoms, that feeling of discovering life again as new, we are creating a path we call home. Meandering, cyclical, left behind here is what remains.

I primarily make pictures and write poems, which is at its best in book form. I publish through underlife editions.

Andrea Modica was born in New York City and lives in Philadelphia, where she works as a photographer and teaches at Drexel University. A graduate of the Yale School of Art, she is a Guggenheim Fellow, a Fulbright Scholar and the recipient of a Knight Award.

Her books include Treadwell (Chronicle Books), Minor League (Smithsonian Press), Barbara (Nazraeli), Human Being (Nazraeli), Fountain (Stinehour Editions), l’Amico del’Cuore (Nazraeli), As We Wait (L’Artiere Editions), Lentini (Kris Graves Projects), January 1 (L’Artiere Editions), Reveal (Yoffy Press), 2020 (TIS Books), Theatrum Equorum (TIS Books), Catholic Girl (L’Artiere Editions) and Italian Story (L’Artiere Editions).

Andrea Modica’s photographs have been featured in many magazines, including the New Yorker, the New York Times Magazine, Newsweek and American Photo. Her solo exhibitions include the San Francisco Museum of Modern Art, the Cleveland Museum of Art and the San Diego Museum of Photographic Arts. Her photographs are part of the permanent collections of numerous institutions, including the Museum of Modern Art, the Metropolitan Museum of Art, the Whitney Museum of American Art, the Brooklyn Museum, the Philadelphia Museum of Art, the ICP, the Smithsonian American Art Museum, the International Museum of Photography and Film at the George Eastman House, and the Bibliotheque Nationale.

All the photographs on this website and in Andrea Modica’s books are made with an 8X10” camera with Kodak Tri-x film. The final prints are platinum-palladium.

Musuk Nolte (Ciudad de Mexico, 1988 / Nationalized Peruvian)

His work strives between documentary and artistic photography to approach social issues, such as memory and environmental depredation. Throughout his career, Nolte has often worked with communities and cultures from the Andean and Amazonian regions, integrating their different cosmovisions in an atmospheric approach to the subjects, he puts in tension the individual's representation with their own imaginary.

He holds a degree in Professional Photography and a specialisation in contemporary Photography. Has been awarded in several competitions, such as the World Press Photo (2023 and 2025), X National Photography Award “Eugene Courret” (2009), Rencontres d’Arles Louis Roederer Discovery Award nominee (2025), among others. He has been FONCA Fellow (2010), ON AIR - Krems Residency program (2007), World Press Photo Master Class-Latam (2015), Magnum Foundation’s Emergency Fund (2017), The Elliott Erwitt HC7 Fellowship (2017) presented with solo shows in Paris Photo (2017) and PhotoEspaña XX (2018), MAST Foundation Grant nominee (2019), Leica Oscar Barnack Award nominee (2020,2023,2026), Lightworks artist in residency and Bertha Foundation Fellow (2022).

Actually is a National Geographic Explorer, working on a long-term project regarding water accessibility in different regions of Peru, an issue he has been exploring in the last few years.

He has presented 18 solo shows and has been part of several group exhibitions in museums, biennials and events such as Museo de Arte de Lima - MALI (Lima Art Museum), Lima Metropolitan Museum, Museo de Arte Contemporáneo - MAC (Lima Contemporary Art Museum), III Photoquai Biennale, Singapore Photography Biennial, lll Daegu Photo Biennale, Les Rencontres d'Arles, Angkor Photography Festival, PhotoEspaña XX and XXl, XV Architecture Venice Biennale, Fototeca Latinoamericana - FoLa, Paris Photo, among others.

Musuk has published nine books: “PIRUW” (with Leslie Searles), “La Primera Piedra”, “Flor de Toé” (with VS Photo), “La Velocidad de la Deriva”, “Sombra de Isla”, “La Resistencia del Silencio”, “Geographies of Water”, "Las Pertenencias del Aire",El Jaguar Muere en Posición de Defensa (Selo Turvo) and El Idioma de los Huesos.

Since 2013, Nolte is the founder and editor of KWY Ediciones, an independent publishing house and platform for visual narratives for Latin American authors and was part of the research team of VIST Projects, a multiplatform content laboratory for contemporary visual narratives on social and cultural themes.

CHRISTIAN PATTERSON is an interdisciplinary artist working primarily with photography, books, and installation. His work has also included archival ephemera, drawings, hand-painted signs, monoprints, readymade objects, sound, and video. Patterson’s work has been described as novelistic, subjective documentary of the historical past, and it often deals with themes of the archive, authorship, memory, place, and time. He is the author of four books: Sound Affects (2008), Redheaded Peckerwood (2011, Recontres d’Arles Author Book Award), Bottom of the Lake (2015), and Gong Co. (2024). He is a Guggenheim Fellow (2013), winner of the Grand Prix Images Vevey (2015), a New York Public Library Picture Collection Artist Fellow (2022), James Castle House resident (2023), and Pollock-Krasner Foundation grantee (2025). His work is in the collections of the J. Paul Getty Museum, Los Angeles County Museum of Art (LACMA), Milwaukee Art Museum, National Gallery of Art, Nelson-Atkins Museum of Art and Ogden Museum of Southern Art, and his books are in many institutional artist book collections. He was born in Fond du Lac, Wisconsin and lives in New York City.

Brad Zellar has worked as a writer and editor for daily and weekly newspapers, as well as for regional and national magazines. A former senior editor at City Pages, The Rake, and Utne Reader, Zellar is also the author of Suburban World: The Norling Photos, Conductors of the Moving World, House of Coates, and Driftless. He has frequently collaborated with the photographer Alec Soth, and together they produced seven editions of The LBM Dispatch, chronicling American community life in the twenty-first century. Zellar’s work has been featured in the New York Times Magazine, The Believer, Paris Review, Vice, Guernica, Aperture, and Russian Esquire. He spent fifteen years working in bookstores and was a co-owner of Rag & Bone Books in Minneapolis. He currently lives in Saint Paul. Alumni Workshops and Guests

Melinda Blauvelt studied photography at Yale with Walker Evans, was the first woman in Yale’s MFA photography program, went on to teach at Harvard, and has her pictures in major museums throughout the United States. Inspired by Evans’ 1930s photographs of rural America, she began a unique project in 1972, which she only recently unearthed and printed.Melinda decided to spend that summer photographing the small fishing village of Brantville, New Brunswick. She lived with a fisherman and his family, ran a day camp, and made remarkable portraits of the village residents. Bill Shapiro, former editor of Life magazine, calls her Brantville images “quietly riveting, somehow managing to be big-hearted while not sentimental, clear-eyed but not cynical, highlighting our human quirks and our warmth in equal measure.” This important collection of black & white photographs depicts a time when New Brunswick, and particularly the Acadian Peninsula, was going through deep social changes. They speak to the values of community, family, and the ability of brilliant images to frame and extend our ability to truly see a place.

Tony Cederteg founded Libraryman in 2008 in Stockholm, Sweden. He produces and publishes contemporary photobooks by initiating a preserving liaison with artistic perceptions from varied paths. Sans intrusion of prevailing trends, Libraryman embraces its titles as intimate, ageless and prolonged poems—drawing inspiration from concise printed matters, unspoken language and an immense romanticism for the vocation. Central to the idea of Libraryman is to serve as a complementary hand to the artist’s vision; with unobtrusive design and interwoven tactility this collaborative effort ensures that both the artist and the publisher will never sacrifice their carefully crafted identities.

Born in northern Greece, Ilias started experimenting with the photographic medium at the age of 19. After extensive travels in 2011, he stopped his university studies(in mathematics) and started making pictures in an obsessive way. Ηis main interest focuses on what he prefers to name “poetic image-making” in the current context of social and interpersonal issues about the human condition. He follows this approach from 2012 and continues until now. Ilias’ work has been shown in solo and group shows across the world, international festivals in Europe, Asia and Australia and has been featured in catalogs, in-depth articles, interviews and other on-line and printed publications. His prints are part of various private collections and his photobooks "Over.State", "Vialattea" and "Forecast" are part of public libraries. He has won prestigious awards with his works and photobooks whilst the books were included in numerous best-of lists. He conducts and curates the “Fortnight” mentoring programme as well as “The Poetic Encounter” workshop and other master classes in photography. Recently, he published his first literature poetry book "Κρύπτες από δάφνη" (Ο Μωβ Σκίουρος-2022) in Greek. "Forecast" (first and second edition) -his third photobook- published in 2023. Since May 2023, he is the new creative director of the publishing house Origini Edizioni.

Gregory J. Harris is the High Museum of Art’s Donald and Marilyn Keough Family Curator of Photography. He is a specialist in contemporary photography with a particular interest in documentary practice. Since joining the museum in 2016, Harris has curated over a dozen exhibitions that consider an array of topics including social justice, the intersections of photography and self-taught art, and distinct history of photography in the South. Most notably, he curated a major survey of Southern photography, A Long Arc: Photography and the American South since 1845 (2023), which toured nationally and was accompanied by a catalogue published by Aperture. Harris’s other exhibition projects include Kelli Connell: Pictures for Charis (2024), Truth Told Slant: Contemporary Photography (2024), Evelyn Hofer: Eyes on the City (2023), Picturing the South: 25 Years (2021), Way Out There: The Art of Southern Backroads (2019), Look Again: 45 Years of Collecting Photography (2018), Mark Steinmetz: Terminus (2018), and Amy Elkins: Black is the Day, Black is the Night (2017).

Harris was previously the assistant curator at the DePaul Art Museum in Chicago, where he curated exhibitions including Sonja Thomsen: Glowing Wavelengths in Between (2015), The Sochi Project: An Atlas of War and Tourism in the Caucasus (2014), and Studio Malick: Portraits from Mali (2012). He also curated and authored catalogues for the exhibitions We Shall: Photographs by Paul D’Amato (2013), Matt Siber: Idol Structures (2015), and Liminal Infrastructure (2015).

Harris also held curatorial positions at the Art Institute of Chicago, where he organized the exhibitions In the Vernacular (2010) and Of National Interest (2008). His essay “Photographs Still and Unfolding” was published in Telling Tales: Contemporary Narrative Photography (McNay Art Museum, San Antonio, 2016). Harris has contributed essays to monographs by Amy Elkins, Matthew Brandt, Jill Frank, and Mark Steinmetz. He earned a BFA in photography from Columbia College Chicago and an MA in art history from the School of the Art Institute of Chicago.

Aron Morel found MÖREL 2008/2009, an imprint specialising in publishing works by both established and emerging artists. MÖREL views the book as an important aspect of an artist’s practice and as a powerful cultural conduit. Approaching each project as a collaboration, MÖREL actively engages with artists throughout the conception, editing, and design phases. The goal is to craft an artist's book that embraces idiosyncrasies, deliberately steering away from the conventions of traditional publisher-produced books. Titles include books by Boris Mikhailov, Patti Smith, Corinne Day, Hans-Peter Feldmann, Ryan Gander, Thomas Ruff, Robert Mapplethorpe, Antony Cairns, Ryan McGinley, Nick Waplington. MÖREL works closely with writers and curators on their projects including Simon Baker, David Campany, Irvine Welsh, & Omar Kholief. At times, artists are incorporated into the design phase, including covers by Painter George Condo, Poet/Artist Rene Ricard, Designer Pablo Ferro.

Miwa Susuda (b. Tokyo, JP) is a publisher and photobook consultant at Dashwood Books for over 17 years. She had been working for Penumbra Foundation for “photo book making” since 2020. She has appeared at galleries, art fairs and museums worldwide, including Photo Book Fair at ICP (2023), Paris Photo/Aperture Best Photo Book (2022), Vertical Assembly with Lesley A. Martin (2020), CONTACT Photo 2019 with Sarah Allen (2019), Tokyo Art Book Fair at The Museum of Contemporary Art, Tokyo (2019), Museum of Fine Arts, Boston (2019), Twelvebooks 4th Photobook Symposium, Tokyo (2018), Toronto Library Project (2018), Photo-bookworks Symposium at the Vis-ual Studies Workshop, Rochester (2016), and an Artist Talk with contemporary Japanese photographers at Casemore Kirkeby, San Francisco (2016). Books from her publishing imprint, Session Press, have received numerous prestigious prizes and nominations, including "Red Flower” by Mao Ishikawa (Session 09), shortlisted for best book at the 2017 Fotobookfestival Kassel, shortlisted for Historical Book Award at Les Prix Du Livre FR 2017, and winner of the 2017 Best Book of the Year by Liberation, Paris; “Taratine" by Daisuke Yokota, (Session 07), winner of the 2016 Paul Hof Award and shortlisted for best book of 2016 by Aperture/Paris; and “Bible" and “Dildo" by Momo Okabe (Session 02 and 05), winners of the 2015 Paul Hof Award.